Tag Archives: Consonance

Profound Hip Hop Quote #20: Homage to Philly Edition

21 May

“Now while you grittin your teeth
Frustration baby you gotta breathe
Take a lot more than you to get rid of me
You see I do what they can’t do, I just do me.”

—Eve, featuring Gwen Stefani “Let Me Blow Ya Mind”

Click here to view the video!!

EveAlas, this is the eighth profound hip hop quote specifically paying homage to Philly with one more to go.  There’s so many to name, but you know I’ve got to include another female artist who has made herself known in the early 2000s and still reigns today, Eve, full name, Eve Jihan Jeffers.

Eve is one of the most influential female rappers or rappers from Philly, period, to see national and international success.  Actually, she deserves to be lauded for expanding her rap career into television, film and even fashion.

In “Let Me Blow Ya Mind,” Eve commands respect from all competitors, haters and listeners while declaring an all-out women’s empowerment movement with the help of Gwen Stefani.  What makes her lyrics profound is, as she put it, “I just do me.”  She’s not concerned with pleasing or appeasing others and  is simply doing what she sees fit, not what others may expect.

Do you allow others to dictate your success or lack of success for that matter?  Of course, emulation is sometimes a necessity to do well in life, but emulating greatness and surpassing it is totally different than simply copying someone else.  Do you feel as confident in your ability as Eve is in hers to be unyielding in the face of doubters and competitors?

Please feel free to share your thoughts

~Anonomz aka Tanya Harris

Bonus English Lesson:
Whether it be intentional or on a subconscious level, words are not arbitrarily selected in poetry or music.  In these specific lyrics by Eve, she utilizes repetition as a technique to show emphasis.  For instance, the pronoun “you” is present in each line for a total of four times, and she incorporates the pronoun “me” just two times in the last two lines.  From this observation, one could deduce that this song is more so about addressing the competition and letting them know what she will tolerate rather than her justifying who “she” is and why she does what she does.

Profound Hip Hop Quote #19: Homage to Philly Edition

14 May

“My aura is psychedelic flow non-prehistoric metamorphic boric like
acid no hat tricks a classic so park that ass like Jurassic and check
the matrix completed like 7 (seven) to overshadow the triple 6 (six)
complimenting zig-a-zicks with wisdom like the 5 percenters when doing
mathematics flips scripts like acrobatics intrinsic in rapping.”

—Bahamadia, “Wordplay”

Click here to hear the song!!

BahamadiaThis is the seventh profound hip hop quote specifically paying homage to Philly, and I feel extremely guilty because I have yet to acknowledge some of the female artists who have and are doing their thing to put Philly on the map.   There’s no denying that the “rap game” is male dominated, but there are many women who reign supreme when it comes to lyrical ability, and Bahamadia, aka Antonia Reed, is definitely one of them.

Even though Bahamadia may not have seen the same level of success as some of her counterparts, she has been revered locally, nationally and internationally as a lyrical wordsmith.   Though her voice is monotone, there’s something melodic and soothing about her flow, and her wittiness and lyrical finesse was what initially made me a fan when I first heard her in the 90s.

Rap plus Bahamadia automatically equals profoundness.   These specific lyrics from wordplay are representative of her mastery of language. Most rappers back then and even now do not possess such prowess or the deftness to deliver as she does.   One line alone could devour all challengers; “No hat tricks a classic so park that ass like Jurassic.”

When is the last time you heard a female or any artist deliver such crafty wordplay and require you to possess a certain level of expansive knowledge to be able to decipher his or her content?  Much respect is due to Bahamadia; thanks for representing Philly to the fullest!

Please feel free to share your thoughts

~Anonomz aka Tanya Harris

Bonus English Lesson:
If you haven’t figured it out, Bahamadia’s “Wordplay” has a deluge of well-crafted literary elements.  It encompasses similes, metaphors, hyperboles, allusion, assonance, consonance, slant rhymes, etc.  For example, “No hat tricks a classic so park that ass like Jurassic,”  contains a simile “park that ass like Jurassic,” an allusion because it would be necessary to be familiar with  Jurassic Park” in order to get the cleverness of the line and consonance and assonance simultaneously as she uses the “s” sound and “a” sound for emphasis and to improve the flow of the rhyme.

Profound Hip Hop Quote: Week #8

26 Feb

“We spent the last year writing rhymes doing shows and chopping records
And traveled all around the world to spread the message
‘Cause ain’t no rest for the weary when it comes to my team
We only sleep on December the 32nd”

—Little Brother, “Not Enough”


At what lengths are you willing to go to achieve what you want out of life?  Will you fight for it at any cost even when it does not seem plausible or reachable?

Little Brother, one of the most talented rap duos birthed in the 21st century, did just that! Though Phonte and Rapper Big Pooh’s talents and tight lyrical abilities have been lauded by most underground artists and “hip hop heads,” they have often been unrecognized by “mainstream” hip hop listeners and radio stations.  Perhaps it was due to lack of promotion or lack of awareness on behalf of music listeners; nevertheless, for nearly ten years, these guys did not stop, and I loved being a part of their sleepless journey.

Interestingly, I did not hear “The Listening,” their debut CD until a few years after its original release.    Their sophomore album, “The Minstrel Show” was my first listening experience, and I did not know what to expect from such a controversial title.  However, I loved every song and interlude and understood why the CD had such an intriguing title. I then thought to myself, these guys from the “South” are flawless, and their rhyming skills ant witty usage of figurative language cannot be denied!

When I heard these lines in “Not Enough,” I knew that many people, not just underground “hip-hop heads” could relate to their plight.  Even though there is this constant struggle of being accepted and striving to reach their goals, they managed to persist.  Do you fight for what you want?  Once you realize what you want, do you establish clear, concrete goals, and apply yourself wholeheartedly to reach those goals.  No matter how unattainable they may seem to be or how mentally or physically exhausted you may be, there “ain’t no rest for the weary.”  While you sleep on your dreams another day goes by with no progress being made, and there is probably someone living out the dream you so desperately want to be a reality.

Please feel free to share your thoughts

~Anonomz aka Tanya Harris

Bonus English Lesson:
Little Brother’s Phonte is the czar of figurative language  and witty rhymes.Perhaps is was his college education at North Carolina Central University or his exposure and affinity towards poetic techniques.  Regardless, the lines from “Not Enough” contain a compelling example of an allusion, which means an indirect reference.

We only sleep on December the 32nd.” As you may know, or should know, there is no December 32nd.  Why doesn’t Phonte simply say, “We never sleep?” He selects a date that does not exists to not only pique the interest of the listeners but to stimulate their minds requiring some critical thinking to realize this fact.  What makes this line so brilliant is he chooses a date that would be the last day in the year if it did exists, which suggests that he has worked all year non-stop yet still refuses to “sleep.”

Also, Phonte has a lyrical finesse when it comes to rhyming.  Some rap artists simply rhyme word like, “cat” with “hat” or even “cat” with “cat” again.  This would be considered an ab or aa rhyme.  Phonte, incorporates an aaba technique using slant rhymes.  This is where part of the syllable of a word rhymes through consonance (rhyming of consonant sounds) or assonance (rhyming of vowel sounds).  When one reads “records,” “message,” and “32nd” he or she may say, “that doesn’t even rhyme!”  On the contrary, it does.   Upon listening to the song, the “eh” sound in re-cord, mes-sage thirty-sec-ond can be heard.

Lastly, Phonte uses the word “sleep” which could easily be substituted with “stop.”  Why “sleep?”  Of course, it is being employed in this instance as slang, but Phonte has something much more meaningful in mind.  Why sleep when you can live out your dreams?